Posts Tagged ‘graffiti’

Rise Above Famous Street Artist Shepard Fairey Doin Dallas

Written by buzz. Posted in Arts

By: Allison Hibbs

For the first time in 10 years, Shepard Fairey is in Dallas! Invited by the non-profit art forum, Dallas Contemporary, as part of their Citywide Street Project, he is leaving his signature mark on buildings around the city. A graphic artist and old-school skateboarder, Fairey is probably best known in the mainstream for his 2008 poster depicting a stylized version of then-presidential candidate, Barack Obama, along with the single word: Hope.

Among those familiar with the street art movement, however, Fairey – with his Andre the Giant logo featuring the word ‘Obey’ – has long been iconic of the pioneering work that he and others have done to legitimize the subculture as an accepted, if often politically subversive and irreverent, art form. Along with Basquiat in the 80s and later artists such as world-famous anonymous prankster, Bansky, street artists like Fairey have elevated graffiti into a meaningful form of expression, rebellion and catharsis in the United States, across Europe and in Australia.

Movies such as “Exit Through the Gift Shop,” a documentary made by the elusive Banksy and featuring work by Fairey, chronicle the progression, techniques and motivations behind this growing movement. (Although many consider the film to be another one of Bansky’s pranks, Fairey and the film’s central character, Thierry Guetta, deny all such accusations.)  Put simply, the goal of these artists is two-fold: to make use of and beautify unused, often unsightly, urban spaces, and to make people stop and think as they go about the usual business of their days. Many dedicated street artists work uncompromisingly (and often under the cover of night) to realize these goals. Of course, they also seem to have a good deal of fun in the process.

In the wake of chaos caused by Wall Street in 2007, Banksy pieces started showing up around New York City depicting his iconic rat (an anagram for ‘art’), which showed the artist’s obvious distain for the moral bankruptcy of those who were the architects of the financial disaster.

Obama poster notwithstanding, much of Fairey’s work tends to be less overtly political – necessitating individual thought and introspection – although several are obvious admonishments against war and global warming. Lately, he has even come out in support of the nationwide movement known as Occupy with an image of Guy Fawkes that plays off of his ’08 Hope poster. What, according to Fairey, began as a fun project to entertain college friends has evolved into an art form aimed at shaking people out of their passive acceptance of societal norms.

Working with the local street art collective, Sour Grapes, Fairey had completed four murals as of Feb. 3 in two locations in West Dallas. Dallas Contemporary has indicated that he will do at least eight more before he leaves, at least one of which is to be located in the area known as Deep Ellum. Three of the murals are located at 331 and 340 Singleton Blvd., near I-30 and I-35E in West Dallas. Another adorns the side of Dallas Contemporary, at 161 Glass Street, where Fairey has also been invited to guest DJ at a sold-out  “neon-inspired dance party” on the night of Saturday, Feb. 4. If these murals have a theme, he told the Dallas Observer, “It’s peace and harmony.” The woman in two of the murals, he says, is his wife.

A bus tour been organized for Saturday, Feb. 11, which is to include stops at the murals and a studio visit with Sour Grapes, as well as visits to exhibits at Dallas Contemporary featuring Rob Pruitt, David Jablonowski and Failure. Tickets are limited and can be purchased online.

Snacki Rejuvenates the Oppressed Graffiti Culture of Chicago

Written by buzz. Posted in Arts

When not using walls, Snacki prefers wood over canvas.

They’ve been popping up all across Chicago for the past four months: saggy-eyed and highly expressive faces are tagged across the weathered walls of Chi-town, and they’re beginning to attract a considerable following. But, for the artist known by the humble pseudonym, ‘snacki,’ graffiti is an illegal addiction to child-like behavior, and not something that’s meant to be taken too seriously.

Snacki is just simply interested in the general public getting exposed to his work; unlike galleries, which tend to only attract the “college hipsters and 40-year-old art collectors,” he wants to offer the entire general public an experience the abstract reflections of his unique perspective. In his mind, painting on billboards is just a better – and cheaper – way to reach a highly diversified audience. And, considering the city’s anti-graffiti campaign – a well-oiled machine, which happily chugs along on a $9 million street-artist-stomping budget  – it’s probably better that snacki keep his identity hidden from the world.

Typical snacki-tag face

Graffiti art isn’t just a hobby for snacki, it’s a self-proclaimed addiction; “And like any addiction,” he said, “everyone starts for a different reason.” But, unfortunately for snacki, the worst addictions can end up with thousands of dollars in fines, or a potentially serious jail sentence. Whatever happens, if the Man squashes the snacki sasquatch, at least he knows that his fans are willing to bail him out.

Long Live Graffiti.

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